A complete writing app that takes you from your first outline to a finished, submission-ready manuscript.
Map out every thread before chapter one, or grow the story as you go and tidy the outline later. Either way, your outline, characters, plot threads, and story bible live in one place.

A distraction-free editor, versioning so you never lose a word, and read-aloud to catch what your eye skips.

Need to bounce an idea around, get a second read on a scene, or find out how other authors have handled the same problem? The Writing Buddy has read your whole book. It knows your cast, your style and where you are in the story, and you can set it to answer through the lens of the genre you are writing in. Generic chatbots give generic advice, hallucinate your facts, and lose the thread as the book grows. This one remembers your protagonist's eyes are brown.

Write clear, engaging, intentional prose. The editorial stack helps you polish it, reading through the editor you chose and the style guide you wrote. Nothing changes a word until you accept it.
Mastering sentence structure. It reads for the places where an idea or a feeling could land more clearly, or more memorably, than the shape it currently has, and shows you the same sentence built another way.
| Cumulative | Keep the reader moving while you add the detail. |
|---|---|
| Periodic | Land the point last, so the sentence closes on its weight. |
| Absolute | Show the body while the sentence does something else: her hands shaking, she… |
| Appositive | Say who someone is without stopping to say it. |
| Asyndeton | Speed up. Harden. Drop the conjunctions and let it hit. |
| Polysyndeton | Slow it down and let it accumulate, and toll. |
| Inversion | Throw the weight to the front: Never had she seen it. |
| Fragment | Stop short, when the aftermath is the point. |
| Parataxis | Go flat on purpose, for shock or numbness. |
| Subordination | Make the link between two ideas explicit, instead of leaving them side by side. |
Worried about the pace? Too many subplots? Are the themes resonating? Is your character's transformation strong enough? Every writing teacher gives the same advice to anyone stuck in a second draft: reverse outline it. Raised Letters keeps it for you as you go, from the book as written, not a plan you fill in.

Keep writing where you write. Bring the book here for the part general tools are bad at: an editor that has read it.
You don't have to move in. Start with the feedback.
Gather beta-reader notes, generate a submission-ready package, and track every agent you query — all the way to yes.

30 days to work with your manuscript, no card required. Subscribe whenever you are ready — there is no charge until you choose to.
No card required. Subscribe only when you are ready to keep going.